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Fishing Boats
(18th and 19th Centuries )
Eugène Isabey began his career assisting his father, the miniaturist J. B. Isabey, with illustrations for a travel book on Italy. In 1825, Isabey made a trip to England, where he was profoundly influenced by the latest trends in watercolor painting. On his return, he specialized in coastal scenes of Normandy in the north of France. Here, Isabey depicts the luminous atmospheric effects at the meeting of sea, shore, and sky with the consummate skill that earned him a reputation as one of the leading Romantic watercolorists.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, before 1884, [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2011 | Setting Sail: Drawings of the Sea from WAM. The Walters Art Museum, Baltimore. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1998-1999 | Botanical Delights: Floral Motifs in 19th-Century Art. Government House, Annapolis; Strathmore Hall Art Center, North Bethesda; Academy Art Museum, Easton. |
| 1998-1999 | A Discerning Eye: Nineteenth-century Drawings and Watercolors. Academy Art Museum, Easton. |
| 1997-1998 | French Master Drawings. The Walters Art Gallery, Baltimore. |
| 1988 | Artists as Travellers. The Walters Art Gallery, Baltimore. |
| 1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
| 1979 | A Supple Brush: The Flowering of Continental Watercolors. The Walters Art Gallery, Baltimore. |
| 1976-1977 | Jongkind and the Pre-Impressionists. Smith College Museum of Art, Northampton; The Sterling and Francine Clark Art Institute, Williamstown. |
| 1967 | Eugène Isabey. Harvard Art Museums, Cambridge. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 12/1/1987 | Treatment | mounted |
| 4/2/1997 | Treatment | loss compensation; repaired; mounted; re-housed |
| 1/1/2002 | Treatment | examined for exhibition; mounted; other |
Geographies
France (Place of Origin)
Measurements
H: 10 1/8 x W: 14 7/8 in. (25.7 x 37.8 cm)
Credit Line
Acquired by William T. Walters, before 1884
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.889