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Image for "Surtout de table": Lion Hunt
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Image for "Surtout de table": Lion Hunt
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Image for "Surtout de table": Lion Hunt
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"Surtout de table": Lion Hunt Thumbnail
"Surtout de table": Lion Hunt Thumbnail
"Surtout de table": Lion Hunt Thumbnail
"Surtout de table": Lion Hunt Thumbnail
"Surtout de table": Lion Hunt Thumbnail
"Surtout de table": Lion Hunt Thumbnail

"Surtout de table": Lion Hunt

Antoine-Louis Barye (French, 1795 - 1875) (Artist)
1834-1837
bronze with brown patina over a metallic flake or powdered surface, with extensive traces of gilding, particularly on the stirrup of the lead horse
(18th and 19th Centuries )

In this North African scene, two Arab hunters pursue a lion and lioness, which, in turn, have been gnawing a fallen water buffalo. The horsemen's billowing garments add to the sense of drama. Scholars have suggested that the shallow, frieze-like quality of this sculpture was inspired by a Roman sculptural relief such as those found on the sides of a sarcophagus.

Inscription

[Signature] Cast through from model: BARYE / 1837; [Transcription] Inscribed on base: BRONZE D'UN SEUL JET SANS CISELURE/ coule a l'hotel d'Angevilliers par Honore Gonon et ses deux fils; [Translation] Inscribed on base: Only bronze cast without carving/ cast at the Hotel D'Angevilliers by Honoré Gonon and his two sons.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Duc d'Orléans, 1834, by commission; duchesse d'Orleans Sale, Paris, January 18-20, 1853, no. 3 or 4; Count Anatole Demidoff Sale, Paris, April 21, 1870, no. 167; Montessier; G. Mallais Sale, Paris, 1882, no. 147; Georges Sortais; Henry Walters, Baltimore, June 17, 1898, by purchase [George A. Lucas as agent]; Walters Art Museum, 1931, by bequest.

Exhibitions

2014-2016 From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore.
2007-2008 Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach.
2002-2004 A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte.
1998-2001 Highlights from the Collection. The Walters Art Gallery, Baltimore.
1991 Un âge d'or des arts décoratifs: 1814-1848. Galeries nationales du Grand Palais, Paris.

Conservation

Date Description Narrative
12/13/1962 Treatment cleaned; coated
6/14/1972 Treatment cleaned
9/6/1991 Treatment cleaned; examined for loan
1/22/2002 Loan Consideration examined for loan
5/9/2002 Treatment cleaned; coated; repaired; loss compensation
9/20/2004 Examination examined for condition
1/22/2007 Technical Report X-ray fluorescence
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Geographies

France, Paris (Place of Origin)

Measurements

H: 18 x W: 26 1/2 x D: 12 in. (45.7 x 67.3 x 30.5 cm)

Credit Line

Acquired by Henry Walters, 1898

Location in Museum

Hackerman House at 1 West Mount Vernon Place: First Floor: Parlor

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

27.174

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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