Creative Commons License
Creative Commons License
Standing Lion
(18th and 19th Centuries )
In many of Barye's watercolors, the subjects appear in profile. This orientation resulted from his practice of using calques, or tracings, to transfer the outlines of the animals to the watercolor paper. He would then reinforce the contours with ink before painting in the backgrounds.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, prior to 1889; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/2002 | Treatment | examined for exhibition; cleaned; re-housed; mounted; stabilized; other |
Geographies
France, Paris (Place of Origin)
Measurements
H: 10 1/4 x W: 14 3/8 in. (26 x 36.5 cm)
Credit Line
Acquired by William T. Walters, before 1889
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.832