Elephant Asleep
(18th and 19th Centuries )
An Asian elephant, perhaps the one that arrived at the Jardin des Plantes in 1843, lies asleep in a small clearing in the Forest of Fontainebleau. Hints of red and yellow in the right background suggest that it is evening.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Émile Gavet, Paris; Antoine-François Marmontel; Vente Marmontel, Hôtel Drouot, Paris, January 25-26, 1883, lot 12; William T. Walters, Baltimore, 1883, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1962 | French Master Drawings of the Mid Nineteenth Century. Fisher Gallery, University of Southern California, Los Angeles. |
1959-1960 | Barye Sculpture and Drawings. American Federation of Arts, New York. |
1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
Date | Description | Narrative |
---|---|---|
6/7/1989 | Treatment | examined for exhibition; other |
1/1/2002 | Treatment | examined for exhibition; cleaned; re-housed; mounted; other |
Geographies
France, Paris (Place of Origin)
Measurements
H: 10 3/4 x W: 15 1/8 in. (27.3 x 38.4 cm)
Credit Line
Acquired by William T. Walters, 1883
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.812