Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Georgiana, Duchess of Devonshire, and Lady Elisabeth Foster
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Georgiana, Duchess of Devonshire, and Lady Elisabeth Foster Thumbnail
Georgiana, Duchess of Devonshire, and Lady Elisabeth Foster Thumbnail

Georgiana, Duchess of Devonshire, and Lady Elisabeth Foster

Lié Louis Périn (French, 1753-1817) (?) (Artist)
after 1791
watercolor on ivory
(18th and 19th Centuries )

This miniature shows Georgiana Cavendish, Duchess of Devonshire (1757-1806) and Lady Elizabeth Christiana Foster née Harvey (1757-1824). Georgiana, née Spencer, married the Duke of Devonshire in 1774 and immediately became a fashion icon and celebrity. In 1782 the Devonshires met Lady Elizabeth Foster, who soon became the Duke's, and possibly also the Duchess's, lover. After Georgiana's death, Elizabeth became the Duke's second wife.
In November and December of 1791 the Duchess of Devonshire and Lady Elizabeth stayed together in Paris. The stay correlates with a note in Jean-Urbain Guérin's journal that he made a drawing of the Duchess on 12 November 1791. A token of friendship, two versions were painted - one for each sitter. One version is in the Wallace Collection, London. Another version exists in the Louvre, Paris.
There are a number of differences between the version by Guérin and the Walters' version, which is probably a copy, most notably the omission of the basket of flowers in the hand of the woman to the left, and the position of the figures' arms.
The back of this miniature is covered in pink silk over which is placed a pierced and engraved metal plaque representing a vase of flowers, these elements are covered with glass.

Inscription

[Signature] At bottom left: Perin (?)

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

E. F. Bonaventure [date and mode of acquisition unknown]; Henry Walters, New York, 1910, by purchase; Walters Art Museum, by bequest, 1931.

Share
  • social-item
  • social-item
  • social-item

Geographies

France (Place of Origin)

Measurements

H: 3 3/8 × W: 2 13/16 in. (8.6 × 7.2 cm)

Credit Line

Acquired by Henry Walters, 1910

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

38.30

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios