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Still Life with Vase of Chrysanthemus
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Still Life with Vase of Chrysanthemus

Description Conservation Exhibitions Provenance Inscription Credit
Description Léon Bonvin was born in Vaugirard, just outside Paris in 1834. Despite displaying great talent in the medium of watercolor he was largely unrecognized by his contemporaries. In 1866 he hanged himself at the age of 32, apparently due to financial difficulties. Working at his family's bar or "cabaret," he sketched and painted watercolors only in his spare moments, yet in the seven year period between 1859 and his death he created numerous exquisite still lifes of flowers and fruits, and subtle landscapes capturing fleeting atmospheric effects. There is evidence that, despite his rural home, Bonvin did have knowledge of the art world in Paris. His half-brother was the better known artist, François Bonvin. In addition Bonvin's still lifes show the influence of Jean-Siméon Chardin (1699-1779), whose work was undergoing a revival in the 1850s and 60s. During the 19th century an appreciation of Bonvin's work was confined to a small circle of connoisseurs and collectors, most prominent among them William T. Walters, father of Henry Walters, founder of the Walters Art Museum. For much of the 19th century William displayed and stored his watercolors in a deluxe leather-bound album with a specially commissioned frontispiece and tailpiece by the renowned flower painter of the Lyon school, Jean-Marie Reignier (see WAM 37.1501 and 37. 1531). William's collection of Bonvin's work was acquired between 1862 and 1891, and eventually comprised 56 watercolors and one, rare oil; today, this is the largest collection of Bonvin's work in existence.
Date Description Narrative
1/01/2002Treatmentexamined for exhibition; re-housed; mounted; cleaned; repaired; other
  • The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. 2005-2006.
Provenance Acquired by William T. Walters, Baltimore, 1862 (?) [George A. Lucas as agent] [1], certainly acquired before 1885 [2]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest. [1] based on the date in the inscription this may be the drawing referred to in the diary entry for 22 November 1862 "Bonvin frère & paid him for Walters drawing of flowers - 50 fs." Randall, Diaries of George A. Lucas, vol. 2, p. 144. [2] Published as a wood engraving in "Harper's New Monthly Magazine," 1885, captioned as "owned by Mr. W. T. Walters.
Inscriptions [Signature and date] In brown ink, lower left: Léon Bonvin 1862; [Number] In graphite, center upper edge, verso: A2; [Number] In graphite, center, verso: A2; [Number] In graphite above and right of center, verso: 41; [Number] In graphite below center, verso: 4; [Number] In graphite, lower left, verso: 31
Credit Commissioned by William T. Walters, 1862 (?), certainly acquired before 1885

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watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper
(Painting & Drawing)
Accession Number
H: 6 x W: 5 7/8 in. (15.2 x 14.9 cm)
Location Within Museum
Not On View


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