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The Temptation of Adam and Eve
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The Temptation of Adam and Eve


Description Conservation Exhibitions Provenance Credit
Description The figures of Adam and Eve were carved separately and then set into the base. They are derived from Albrecht Dürer's enormously influential and often-copied engraving. Dürer himself based his representations of the first man, whom the Old Testament describes as made "in the image of God," on a then-famous antique statue of the Olympian god most known for his beauty, Apollo. The carver was probably not aware of the classical source for Dürer's Adam; he certainly made the proportions chunkier. In general, wood carvers were little influenced by the aesthetic norms of classical sculpture.
Conservation
Date Description Narrative
1/01/1935Treatmentcleaned; mounted
4/05/1960Treatmentrepaired
1/12/1962Treatmentcleaned
11/19/1964Treatmentrepaired; examined for condition
7/28/1981Loan Considerationexamined for loan
2/22/1982Examinationexamined for conditon
10/28/1987Examinationexamined for condiiton
10/28/1987Treatmentcleaned; repaired
Exhibitions
  • Durers Verwandlung in der Skulptur zwischen Renaissance und Barock. Staedtische Galerie Liebieghaus, Frankfurt am Main. 1981-1982.
Provenance [Paris]; Henry Walters, Baltimore, 1893 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Credit Acquired by Henry Walters, 1893

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Creators
Period
1520-1540 (Renaissance)
Medium
boxwood
(Wood)
Accession Number
61.156
Measurements
H: 4 5/16 x W: 3 11/16 in. (11 x 9.3 cm)
Geographies

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