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Sphinx
(Medieval Europe )
Together with a similar piece now at The Metropolitan Museum of Art, New York (inv. 10.134.5), this statuette may originally have been the foot of a large candlestick or of another similar object. Creatures with a human head and a bird's body (called sirens or harpies) were first described by the ancient Greek poet Homer as luring sailors with their enchanting singing and causing shipwrecks. For medieval Christians, they symbolized temptation. Here, the serpent-shaped tail further emphasizes the siren's evil nature. The figurine's position at the base of a large object would have signified the overcoming of sin.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henri de Lannoy, Paris, by purchase; Henri Daguerre, Paris [date of acquisistion unknown], by purchase; Henry Walters, Baltimore, 1909, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2008-2009 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Museum of Biblical Art, New York; Colby College Museum of Art, Waterville; Joslyn Art Museum, Omaha. |
| 2002-2005 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Frist Center for the Visual Arts, Nashville. |
Geographies
Flanders (Place of Origin)
Measurements
4 13/16 x 4 1/2 in. (12.2 x 11.5 cm)
Credit Line
Acquired by Henry Walters, 1909
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
54.233