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Image for The Hours of Ogier Bénigne
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The Hours of Ogier Bénigne

French (Artist)
Influenced by Master of the Burgundian Prelates (French, active ca. 1470 - 1490) (Artist)
ca. 1480
ink and pigments on medium-weight unevenly prepared parchment bound between boards covered with leather
(Manuscripts and Rare Books)

This Book of Hours was created for use of Rome in ca. 1470-80. Regional saints in the calendar and litany indicate the residence of the unknown first owner in Burgundy. The book became into the possession of a woman named Louise Grefier in Dijon, whose burial in 1537 is recorded on fol. 141v. Other entries at the front and at the back of the book assure the ownership of the book by Grefier’s descendents until 1625 at latest. The most unique subject in this prayer book appears on a bifolio inserted in the sixteenth century (fols. 17v-18r). Fol. 17v presents a full-page view of the Miraculous Bleeding Host of Dijon enshrined in a monstrance; on the facing page, a traditional prayer for the elevation of the Host is bordered by quatrains recounting the provenance of the relic, namely, a Jew’s desecration of the Host, its miraculous bleeding and gift by the Pope Eugene IV in 1433 to the Duke Philip the Good of Burgundy. The gold monstrance encasing the Host was a gift of the duke’s wife, Isabelle of Portugal to her husband in 1454. The depiction of a crown atop the reliquary offers a terminus post quem for the attachment of the bifolio, as it refers to Louise XII’s gift in 1505 of his coronation crown to the Sainte-Chapelle in Dijon, where the Miraculous Host had been housed since 1433.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Louise Grefier, Dijon, before 1537; inherited successively by the descendants of Louise Grefier, until 1625 [1]. Howel Wills [1854?-1901], Florence, mid-late 19th century; Wills Sale, London, July 11 1894, no. 828; purchased by Bernard Quaritch, London, 1894. Leo. S. Olschki, Florence, late 19th-early 20th century; purchased by Henry Walters, Baltimore, ca. 1912; by bequest to Walters Art Museum, 1931.

[1] Entries by family members in front and back of manuscript, including Ogier Bénigne

Exhibitions

2016-2017 A Feast for the Senses: Art and Experience in Medieval Europe. The Walters Art Museum, Baltimore; The John and Mable Ringling Museum of Art, Sarasota.
2006-2007 For This is My Body: The Medieval Missal. The Walters Art Museum, Baltimore.
1988 Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
8/11/2016 Treatment examined for digitization; examined for exhibition; media consolidation; splits mended
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Geographies

France, Burgundy (Place of Origin)

Measurements

Folio H: 9 3/16 × W: 6 3/16 in. (23.3 × 15.7 cm)

Credit Line

Acquired by Henry Walters before 1931

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.291

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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