V'la l'coco: The Chocolate Vendor
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, 1865, by purchase [George A. Lucas as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
1973 | Social Concerns and the Worker: French Prints form 1830-1910. Utah Museum of Fine Arts, University of Utah, Salt Lake City; The Walters Art Gallery, Baltimore. |
1967 | An Exhibition of the Treasures of The Walters Art Gallery. The Walters Art Museum, Baltimore; Smith College Museum of Art, Northampton; Pace Wildenstein Gallery, New York. |
1953-1954 | Watercolors and Drawings by Gavarni. National Gallery of Art, Washington. |
Conservation
Date | Description | Narrative |
---|---|---|
2/18/1983 | Examination | examined for exhibition |
1/1/2002 | Treatment | examined for exhibition; cleaned; mounted; re-housed; other |
Geographies
France (Place of Origin)
Measurements
H: 12 11/16 x W: 8 1/4 in. (32.3 x 21 cm)
Credit Line
Acquired by William T. Walters, 1865
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1449