Head of a Mourning Woman
(Renaissance Europe )
Ercole de' Roberti was one of the leading artists of the Central Italian city of Ferrara during the second half of the 15th century. This painting is based on one of the mourning women in Ercole's famous fresco of the Crucifixion, formerly in a chapel in the cathedral of Bologna and destroyed in 1606 but known through many copies. It is unusual to see detail from a monumental image reproduced as an independent painting and within its own carefully delineated framework. Since the size of the figure in the Walters panel corresponds to that in the fresco, it has been suggested that both were drawn from the same “cartoon,” a preliminary drawing of actual size. The painting demonstrates the artist's ability to vividly depict a state of extreme grief.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Don Marcello Massarenti Collection, Rome, prior to 1881 [mode of acquisition unknown] [1881 catalogue: no. 104; 1897 catalogue: no. 110, as St. Veronica by Leonardo da Vinci]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Geographies
Italy, Ferrara (Place of Origin)
Measurements
Painted surface H: 20 5/8 x W: 15 1/2 in. (52.4 x 39.4 cm); Panel H: 21 1/8 x W: 16 1/8 x D excluding cradle: 1/4 in. (53.7 x 40.9 x 0.7 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1707