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Image for Altarpiece with the Virgin and Child with Saints
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Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail
Altarpiece with the Virgin and Child with Saints Thumbnail

Altarpiece with the Virgin and Child with Saints

Olivuccio di Ciccarello da Camerino (Italian, ca. 1365-1439) (Artist)
ca. 1410-1420 (Medieval)
oil and gold leaf on panel
(Medieval Europe )

The intact condition and unique format of this altarpiece make it a truly remarkable painting. The central panel depicts a stunning Madonna and Child, flanked on the left by half-length figures of St. Peter above St. John the Baptist and, on the right, by St. Paul above St. Francis of Assisi. The Virgin's robe is carved and decorated with gold leaf that shimmered in the candlelight, a surface treatment common in Byzantine paintings. Because of the crescent moon at her feet, the rays emanating from her body, and the gold curling through her cloak, the Virgin seems to hover behind the frame. The molding of the inner frame crops the composition like an open window, offering a glimpse into the sacred, timeless realm beyond. On the back of the left wing are two preparatory drawings by the artist.

Inscription

[Transcription] Inscribed on Virgin's halo: AVE MAR[IA] GRATIA PLENA; [Translation] Inscribed on Virgin's halo: Hail Mary full of grace; [Transcription] Inscribed on the bottom left panel, in two roundels: P, E; [Transcription] Inscribed on bottom of right panel, in two roundels: T, R; Inscribed on scroll held by John the Baptist: ECCE/AGNVS/DEI QVI/TOLLIS/PEC[CATA MVNDI]; [Translation] Inscribed on scroll held by John the Baptist: Here is the Lamb of God who eliminates the sins of the world.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Don Marcello Massarenti Collection, Rome, prior to 1897 [mode of acquisition unknown] [1897 catalogue: no. 30 as Tuscan School, early 15th century]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

1982 God's Minstrel: St. Francis of Assisi. The Walters Art Gallery, Baltimore.
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Geographies

Italy, Marche (Place of Origin)

Measurements

Central panel H including frame: 63 x W: 30 3/8 x D: 1 1/4 in. (160 x 77.2 x 3.1 cm); Left wing H including frame: 63 1/4 x W: 27 9/16 x D: 1 1/4 in. (160.6 x 70 x 3.1 cm); Right wing H including frame: 63 5/16 x W: 27 5/16 x D: 1 1/4 in. (160.8 x 69.3 x 3.1 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Charles Street: Third Floor: 13th-15th Century Italian Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.699

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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