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Image for Cista Depicting Helen of Troy and Paris
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Cista Depicting Helen of Troy and Paris Thumbnail
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Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail
Cista Depicting Helen of Troy and Paris Thumbnail

Cista Depicting Helen of Troy and Paris

Praenestine (Artist)
4th century BCE (Late Classical-Hellenistic)
bronze, traces of silver
(Roman Empire )

Cistae were containers used to safeguard precious objects, including mirrors, perfume flasks, and cosmetics. A particular type of cista was made during the 4th to 3rd centuries BCE in Praeneste, a site in Latium (the region around Rome) that was heavily influenced by Etruscan culture. The elaborately engraved scenes are thought to imitate famous, but now lost, Greek wall-paintings. The ancient metalworker often pressed a white substance into the engraved lines in order to accentuate the decoration. The handles commonly take the form of human figures. Many artists in other early Italian cultures similarly incorporated figures of humans in functional objects.

The body of this cista is decorated with scenes from the most notorious love story of ancient times, that of Helen of Troy and Paris. On the right side, Helen is presented to Paris. Following which, on the front, he carries her off to his waiting chariot. On the lid, two flying figures carry ribbons to crown the pair. The handle consists of a satyr and a maenad (followers of the wine-god Dionysus) with arms intertwined. Lions stand atop the vessel's clawed feet.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

1995 The Allure of Bronze. The Walters Art Gallery, Baltimore.
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Geographies

Italy (Latium) (Place of Origin)

Measurements

H: 17 5/16 x Diam: 9 3/4 in. (44 x 24.8 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Centre Street: Second Floor: Etruscan Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

54.132

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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