Creative Commons License
Creative Commons License
Creative Commons License
Still Life with Melons
(18th and 19th Centuries )
Couder trained at the School of Fine Arts in Paris and specialized in still lifes. Two of his paintings were purchased by Empress Eugénie, wife of Napoleon III, emperor of France. William T. Walters collected two still lifes in watercolor by the artist, who exhibited reguarly at the Salon in Paris.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Commissioned by William T. Walters, Baltimore, Baltimore, 1865; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
Exhibitions
| 2017 | Training the Eye: 19th-Century Drawing. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/2002 | Treatment | examined for exhibition; cleaned; other |
| 1/9/2017 | Treatment | examined for exhibition; other; re-housed |
Geographies
France (Place of Origin)
Measurements
H: 9 9/16 x W: 7 5/16 in. (24.3 x 18.5 cm)
Credit Line
Commissioned by William T. Walters, 1865
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1633