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Alarm Clock in a Reliquary-Like Case
(Baroque Europe )
The case of this intriguing timepiece with its rock crystal cylinder resembles a medieval reliquary. The tiny haloed female figure with hands raised in prayer at the top is Ecclesia (the Catholic Church) accompanied by personifications of Faith (with the Old Testament tablets of the Law and New Testament chalice), Hope (anchor), and Charity (two infants).
The timekeeping mechanism is not attached to the case- and appears to have been altered to fit it- so it is possible that the case was made as a reliquary into which the mechanism was fitted. The tiny dial was probably rarely looked at, as every hour was struck on the bell. The mechanism is divided into three tiers: the "going train" makes time advance (upper), the striking train strikes the hours (middle), and the bottom train sets off the alarm.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Harding, New York; Henry Walters, Baltimore, 1930 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 1982-1983 | French Clocks in North American Collections. The Frick Collection, New York. |
| 1980 | Undercover Stories in Art. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 5/13/1958 | Treatment | cleaned |
| 11/9/1979 | Examination | examined for condition |
| 9/9/1982 | Treatment | cleaned; examined for loan |
Geographies
France, Rouen
(Place of Origin)
France, Aix-en-Provence (Place of Origin)
Measurements
H: 8 15/16 × W: 3 15/16 × D: 3 15/16 in. (22.7 × 10 × 10 cm)
Credit Line
Acquired by Henry Walters, 1930
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
58.222