no photo available
De civitate dei (The City of God)
1415-1420
tempera on parchment
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
De Bure, Baudicourt, Abb d'Orleans de Rothelins, Sir Thomas Phillipp
Exhibitions
| 1995 | To Hell and Back: Medieval Images of the Afterworld. The Walters Art Gallery, Baltimore. |
| 1994 | A Bouquet of French Manuscripts: Remembering Eleanor Spencer. The Walters Art Gallery, Baltimore. |
| 1991 | Plants and Flowers in Medieval Manuscripts. The Walters Art Gallery, Baltimore. |
| 1990 | Outdoor Space in Medieval Book Illumination. The Walters Art Gallery, Baltimore. |
| 1989 | Masters and Manuscripts: Or, How to Distinguish One Illuminator from Another. The Walters Art Gallery, Baltimore. |
| 1986 | The Naked and the Nude. The Walters Art Gallery, Baltimore. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
| 1977-1978 | Splendor in Books. Grolier Club, New York; The Walters Art Gallery, Baltimore. |
| 1962 | The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. |
Geographies
France, Paris (Place of Origin)
Measurements
Overall: 17 1/16 x 12 3/8 in. (43.3 x 31.5 cm)
Credit Line
Museum Purchase
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.770