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Image for Dog Chasing a Swan (Chien poursuivant un cygne)
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Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail
Dog Chasing a Swan (Chien poursuivant un cygne) Thumbnail

Dog Chasing a Swan (Chien poursuivant un cygne)

After Jean Baptiste Oudry (French, 1686 - 1755) (Artist)
Vincennes Porcelain Manufactory (French, active ca. 1740-1756) (Manufacturer)
or Sèvres Porcelain Manufactory (French, active 1756 - present) (Manufacturer)
18th century
Soft-paste porcelain, white and colored glazes, gilding; gilded-metal stand

This porcelain sculptural group depicts a hostile confrontation between a swan and a dog – the dog is shown crouching and barking, perhaps readying for a lunge, while the swan seemingly squawks and hisses while rearing back. These animals are both completely gilded, or decorated in gold, while the rocky ground on which they stand as well as the background of vegetation have been covered in a bright blue glaze that has been accented with additional gilding. Cracks or fissures within ceramic body can be seen in various places, such as near the dog’s rearmost foot.

Inscription

[Manufacturer's mark] painted in blue on underside: [two interelaced L's with a dot or O between them and a C underneath]; inscribed on underside: cadet ; paper sticker on underside inscribed in ink: 36 [?]; paper sticker with printed inscription: DOUANES / EXPOSITIONS / PARIS

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

E. M. (Edwin Marriott) Hodgkins Collection, Paris; A. Seligmann, Rey and Co. (date and mode of acquisition unknown); purchased by Henry Walters, Baltimore, 1928; by bequest to Walters Art Museum, 1931.

Conservation

Date Description Narrative
4/6/1959 Loan Consideration examined for loan
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Geographies

France, Vincennes (Place of Origin)

Measurements

Overall: H: 8 1/4 × W: 9 5/16 × L: 11 1/2 in. (20.9 × 23.7 × 29.2 cm); Base: H: 1 13/16 × W: 9 5/16 × L: 11 1/2 in. (4.6 × 23.7 × 29.2 cm)

Credit Line

Acquired by Henry Walters, 1928

Location in Museum

Hackerman House at 1 West Mount Vernon Place: Second Floor

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.594

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  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

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600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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