Creative Commons License
Creative Commons License
Project for a Monument to Barye, Paris
1891
watercolor on board
(18th and 19th Centuries )
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. Walters, Baltimore, 1892 (?), [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1994 | The Wild Kingdom of Antoine-Louis Barye, 1795-1875. Wildenstein & Company, New York. |
| 1979 | A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. |
Geographies
France, Paris (Place of Origin)
Measurements
H: 27 15/16 x W: 20 1/16 in. (71 x 51 cm)
Credit Line
Acquired by William T. Walters, 1892 (?)
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1976