Tiger Watching an Elephant
ca. 1857
watercolor with gum heightening on rough, thick, cream wove paper
(18th and 19th Centuries )
(18th and 19th Centuries )
In this twilight scene, a tiger on the alert observes an elephant running in the background.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, prior to 1889; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1994 | The Wild Kingdom of Antoine-Louis Barye, 1795-1875. Wildenstein & Company, New York. |
1962 | French Master Drawings of the Mid Nineteenth Century. Fisher Gallery, University of Southern California, Los Angeles. |
1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; examined for loan; cleaned; other |
Geographies
France, Paris (Place of Origin)
Measurements
H: 10 1/4 x W: 14 1/4 in. (26 x 36.2 cm)
Credit Line
Acquired by William T. Walters, before 1889
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.825