Creative Commons License
Porcelaine impèriale japonaise
ca. 1862
watercolor and shell gold over graphite underdrawing on smooth, medium thickness, cream vellum
(18th and 19th Centuries )
(18th and 19th Centuries )
In 1862 an etching of this watercolor was published in the book "Histoire artistique, industrielle et commerciale de la porcelaine" as plate 11.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1979 | A Supple Brush: The Flowering of Continental Watercolors. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 6/26/1956 | Treatment | cleaned |
| 4/20/1979 | Examination | examined for exhibition |
| 10/26/1983 | Treatment | re-housed |
| 1/1/2002 | Treatment | examined for exhibition; cleaned; re-housed; mounted; other |
Geographies
France (Place of Origin)
Measurements
13 7/16 x 9 13/16 in. (34.2 x 24.9 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1688