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Image for Album of Persian and Indian Calligraphy and Paintings
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Album of Persian and Indian Calligraphy and Paintings

'Imad al-Hasani (died 1024 AH/AD 1615) (Scribe)
Riza 'Abbasi (Persian, ca. 1565-1635) (Scribe)
Mir 'Ali (Artist)
'Abd al-Rashid al-Daylami (died 1081 AH/AD 1670-1671) (Scribe)
Abu al-Hasan Nadir al-al-Zaman (Artist)
Manuhar (Artist)
Sadiqi (Iranian, 939-1018 AH/AD 1533-1610) (Artist)
Dawlat (Artist)
Shaykh 'Abbasi (Persian, active 1650-1684) (Artist)
late 10th century AH/AD 16th century-13th century AH/AD 19th century (Mughal; Safavid; Qajar)
ink and paint on paper bound between boards covered with lacquer
(India, Nepal, and Tibet, Manuscripts and Rare Books, Islamic Manuscripts, Islamic World )

Walters manuscript W.668 is an album (muraqqa') of Persian and Indian calligraphy and paintings, most probably compiled in the 13th century AH/AD 19th. The album contains 34 illustrations, 3 of which are attributed to the Mughal painter Abu al-Hasan (Nadir al-al-Zaman), 2 to Manuhar, and 1 each to Dawlat and Sadiqi. There are several portraits of rulers and courtiers, as well as scenes from historical manuscripts, such as Baburnamah and Gulistan by Sa'di. This album is also significant for the number of works by the artist Shayk Abbasi, who worked in the 11th century AH/AD 17th. The signed calligraphic pieces bear the names of 'Imad al-Hasani (died 1024 AH/AD 1615), 'Ali Riza-'i 'Abbasi, Mir 'Ali, and 'Abd al-Rashid al-Daylami (died 1081 AH/AD 1670-1671). The album was initially in an accordion format and was later made into a codex. The lacquer binding with central ovals and pendants decorated with flowers dates to the 13th century AH/AD 19th.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

'Abduh Khudadad, 1189 AH/AD 1775 [mode of acquisition unknown] [seal impression: 'Abduh Khudadad, 1189 AH/AD 1775 on fol. 58a]; Farhad, 1234 AH/AD 1800 [mode of acquisition unknown] [seal impression: Farhad, 1234 AH/AD 1800 on a number of folios];
Muhammad al-Hasani [date and mode of acquisition unknown] [seal impression: Muhammad al-Hasani on fol. 28a]; Fath 'Ali [date and mode of acquisition unknown] [seal impression: Fath 'Ali on fol. 82b]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Exhibitions

2010 Poetry and Prayer: Islamic Manuscripts from the Walters Art Museum. The Walters Art Museum, Baltimore.
1988-1989 The Royal Style. The Walters Art Gallery, Baltimore.
1984-1985 Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore.
1985 Muslim and Hindu Art. Duke University Museum of Art, Durham.
1978-1979 The Grand Mogul: Imperial Painting in India, 1600-1900. The Sterling and Francine Clark Art Institute, Williamstown; The Walters Art Gallery, Baltimore; Museum of Fine Arts, Boston, Boston; Asia House Gallery, New York.
1977-1978 Splendor in Books. Grolier Club, New York; The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
4/2/1971 Treatment stabilized
3/16/1972 Examination examined for condition
10/18/1973 Treatment stabilized
2/11/1975 Treatment examined for condition; stabilized
2/18/1975 Treatment stabilized; re-housed
2/25/1975 Treatment re-housed
3/12/1975 Treatment stabilized
5/20/1975 Examination examined for condition
5/20/1975 Treatment stabilized; mounted
6/24/1975 Treatment stabilized
6/24/1975 Treatment mounted; re-housed; stabilized
8/2/1978 Treatment re-housed
6/15/1979 Examination examined for condition
11/7/1984 Treatment examined for condition; re-housed
1/16/1985 Treatment re-housed
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Geographies

Iran (Place of Origin) India (Place of Origin)

Measurements

Folio H: 11 5/8 x W: 7 1/2 in. (29.5 x 19 cm)

Credit Line

Acquired by Henry Walters

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.668

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21201

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