Description Formerly known as "Entry of the Toreadors," this painting should be titled "Toreros at Prayer before entering the Arena. " Eduardo Zamacois and Vibert traveled to Spain and, in 1866, they entered in the Paris salon a collaborative work entitled "Entree des Toreros." The Walters painting, however, originally bore the date of 1871.
|6/25/1951||Treatment||coated; lined; varnish removed or reduced|
|7/01/1969||Treatment||coated; varnish removed or reduced|
|6/22/1990||Loan Consideration||examined for loan|
|6/28/1990||Loan Consideration||examined for loan|
|5/21/1992||Treatment||coated; inpainted; loss compensation; mounted; surface cleaned|
|9/20/2004||Treatment||examined for condition|
|3/13/2005||Treatment||coated; inpainted; surface cleaned; varnish removed or reduced|
- Cavaliers and Cardinals: Nineteenth Century French Anecdotal Painting. Taft Museum of Art, Cincinnati; Corcoran Gallery of Art, Washington; Arnot Art Museum, Elmira. 1992.
- A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. 2002-2004.
- Boldini and his Circle. The Walters Art Museum, Baltimore. 2018-2021.
Provenance William T. Walters, Baltimore, between 1878 and 1884 [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Inscriptions "G. Vibert," signed lower left
Credit Acquired by William T. Walters, 1878-1884
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