Reviewing the Regiment
n.d.
iron gall ink and wash on slightly textured, medium-weight, cream, wove paper
(18th and 19th Centuries )
(18th and 19th Centuries )
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Philip B. Perlman, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1960, by bequest.
Exhibitions
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1992 | French Masterworks on Paper. The Walters Art Gallery, Baltimore. |
1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
1979 | A Supple Brush: The Flowering of Continental Watercolors. The Walters Art Gallery, Baltimore. |
1977 | War à la Mode: Military Painting from the Forbes Collection. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
5/9/1977 | Treatment | repaired |
1/1/2002 | Treatment | examined for exhibition; re-housed; mounted; repaired; loss compensation; cleaned; other |
Geographies
France (Place of Origin)
Measurements
7 3/16 x 9 5/16 in. (18.3 x 23.6 cm)
Credit Line
Bequest of Philip B. Perlman, 1960
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.2383