Creative Commons License
Portrait of A. L. Barye
1884
watercolor over charcoal underdrawing on slightly textured, moderately thick, cream wove paper
(18th and 19th Centuries )
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, 1884, by commission [George A. Lucas as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 3/15/1984 | Examination | examined for condition |
| 5/18/1984 | Treatment | cleaned; mounted; re-housed |
| 1/1/2002 | Treatment | examined for exhibition; cleaned; re-housed; mounted; other |
Geographies
France (Place of Origin)
Measurements
H: 14 1/2 x W: 11 in. (36.8 x 28 cm)
Credit Line
Commissioned by William T. Walters, 1884
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.999