Censer with Scenes from the Life of Christ
(Medieval Europe )
The spiritual nature of the church interior was enhanced by the burning of incense. In the medieval church, as in some Christian traditions today, incense blessed by the priest was sprinkled on hot coals placed inside a censer, which was then swung back and forth around the priest, sacred objects of the sanctuary, and the congregation during religious ceremonies. The smoke of the incense wafting through the air was believed to facilitate the ascent of people's prayers to heaven. Moreover, the aromatic scent was thought to honor God and the saints, and attention was paid to the composition of the incense because each element (frankincense, myrrh, aloeswood) was held to possess purifying powers.
This Byzantine censer carries relief images of the Annunciation, Nativity, Crucifixion, and the Women at the Tomb on the sides, and of the Virgin and Child enthroned on the bottom.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Mrs. Carol L. Brewster, Owings Mills, Maryland, 1971, by purchase; Walters Art Museum, 1981, by gift.
Exhibitions
2002-2005 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Frist Center for the Visual Arts, Nashville. |
2001-2002 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Frist Center for the Visual Arts, Nashville. |
Geographies
Syria (Place of Origin)
Measurements
H: 4 5/8 x W: 5 1/2 x D: 5 9/16 in. (11.7 x 13.9 x 14.1 cm)
Credit Line
Gift of Mrs. Carol L. Brewster, 1981
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
54.2575