Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for The Stoning of Saint Stephen
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for The Stoning of Saint Stephen
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for The Stoning of Saint Stephen
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
The Stoning of Saint Stephen Thumbnail
The Stoning of Saint Stephen Thumbnail
The Stoning of Saint Stephen Thumbnail
The Stoning of Saint Stephen Thumbnail
The Stoning of Saint Stephen Thumbnail
The Stoning of Saint Stephen Thumbnail

The Stoning of Saint Stephen

Mosan Workshop (Workshop)
ca. 1100 (Medieval)
ivory
(Medieval Europe )

St. Stephen, the first Christian martyr (ca. AD 35), kneels with his arms raised in prayer, blessed by the Hand of God. He seeks a pardon for the three men shown at the right who are about to stone him to death under the orders of Saul of Tarsus, who is seated at the left (Acts 7:58-60). This plaque, broken and worn smooth over time, was most likely made for a reliquary box or casket.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Arnold Seligmann, Rey and Co., Paris; Henry Walters, Baltimore, 1923, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

1983-1984 Ivory: The Sumptuous Art. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
10/24/2011 Examination other
Share
  • social-item
  • social-item
  • social-item

Geographies

Belgium (Place of Origin)

Measurements

2 15/16 x 3 13/16 x 5/16 in. (7.5 x 9.6 x 0.9 cm)

Credit Line

Acquired by Henry Walters, 1923

Location in Museum

Centre Street: Third Floor: Migration and Early Medieval Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

71.140

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios