Prayer on the Housetop
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, July 25, 1864, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2015-2016 | Gérôme and His Circle: Travel, Art, and Business in the Middle East. The Walters Art Museum, Baltimore. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1998-1999 | Botanical Delights: Floral Motifs in 19th-Century Art. Government House, Annapolis; Strathmore Hall Art Center, North Bethesda; Academy Art Museum, Easton. |
1998-1999 | A Discerning Eye: Nineteenth-century Drawings and Watercolors. Academy Art Museum, Easton. |
1987-1988 | The Orientalists. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; cleaned; mounted; other |
Geographies
France (Place of Origin)
Measurements
H: 14 x W: 9 7/8 in. (35.5 x 25.1 cm); Mat H: 19 1/4 × W: 14 1/4 in. (48.9 × 36.2 cm)
Credit Line
Commissioned by William T. Walters, 1864
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.913