Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Tomb Relief of Pierre de Bauffremont
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Tomb Relief of Pierre de Bauffremont Thumbnail
Tomb Relief of Pierre de Bauffremont Thumbnail

Tomb Relief of Pierre de Bauffremont

Flemish (Artist)
1453-1472 (late Medieval)
carboniforous limestone (known as Tournai "marble")
(Renaissance Europe )

This panel was carved as one of the short sides of the tomb of Pierre de Bauffremont (d. 1472), official at the court of the Duke of Burgundy, Philip the Good. Four monks with heads covered in mourning stand beneath arches representing those of their cloister, through which the solemn funeral procession would pass. De Baufferemont was not buried in Dijon, as he had wished, and his tomb, commissioned in 1453, was never finished. The four slabs that were to form its sides were placed in a chapel. Three of them are now in the museum of Dijon, France.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Cathedral of Notre Dame, Dijon; Daix, near Dijon [in the wall of a garden]; Mr. Champy, Chateau Saint-Apollinaire [near Dijon], prior to 1910, by purchase; Mr. Décailly, Chateau Saint-Apollinaire, 1932, by inheritance; Joseph Brummer, Paris and New York, 1933, by purchase; Brummer Sale, Parke-Bernet, New York, June 8, 1949, Pt. III, no. 640; Walters Art Museum, June 9, 1949, by purchase.

Conservation

Date Description Narrative
6/28/1971 Treatment cleaned
Share
  • social-item
  • social-item
  • social-item

Geographies

Belgium, Tournai (Place of Origin) France, Dijon (Place of Discovery)

Measurements

H: 34 9/16 x W: 60 5/8 x D: 6 1/2 in. (87.8 x 154 x 16.5 cm)

Credit Line

Museum purchase, 1949

Location in Museum

Centre Street: Third Floor: Lobby

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

27.542

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios