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Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail
Reliquary with the Man of Sorrows Thumbnail

Reliquary with the Man of Sorrows

Bohemian (Artist)
John Volek, Bishop of Olomouc (1334-1351) (Patron)
1347-1349 (Medieval)
gilded silver, champlevé enamel, and glass
(Medieval Europe )

The image of the Man of Sorrows is a distillation of the events of Christ's Passion. Christ contemplates with sorrow the instruments of his suffering: the cross and hammer, whips, nails, column of the Flagellation, and the dice thrown by the soldiers for his garments. The gabled container held by an angel once housed a thorn believed to be from Christ's Crown of Thorns, while the hinged cross and column probably held pieces of wood believed to be from Christ's cross and from the column against which he was whipped.

According to an inscription on the base, the reliquary was ordered by the bishop of Olomouc in Moravia to house the Holy Thorn. It was surely a present for Holy Roman Emperor Charles IV. Both men's coats of arms (those of Moravia and Bohemia) are on the base, and the thorn was already in the emperor's famous collection of relics, as a gift from the king of France. As Charles reigned over both Bohemia and Moravia only from 1347 to 1349, the piece dates to this time. The sophisticated workmanship is characteristic of objects created for the imperial court in Prague.

Inscription

[Transcription] Majuscule inscription on the pedestal: HANC.MONSTRANCIAM.CUM.SPINA.CHORONE.DOMINI.DNS.IOHANNES.OLOMUCZENSIS.EPISCOPUS.PREPARARI.FECIT.

[Translation] John, the bishop of Olmütz, commissioned this monstrance with the thorn of the crown of Christ

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Jacques Seligmann, Paris; purchased by Henry Walters, Baltimore, June 9 1903; by bequest to Walters Art Museum, 1931.

Exhibitions

2016-2017 A Feast for the Senses: Art and Experience in Medieval Europe. The Walters Art Museum, Baltimore; The John and Mable Ringling Museum of Art, Sarasota.
2010-2011 Treasures of Heaven. The Cleveland Museum of Art, Cleveland; The Walters Art Museum, Baltimore; The British Museum, London.
2006-2007 Silesia - A Pearl in the Bohemian Crown: Three Periods of Flourishing Artistic Relations. Waldstein Riding School, Prague, Prague.
2005-2006 Prague: The Crown of Bohemia. The Metropolitan Museum of Art, New York; Prague Castle, Prague 1.
1998-2001 Highlights from the Collection. The Walters Art Gallery, Baltimore.
2000-2001 The Way to Heaven: Relic Veneration in the Middle Ages. Museum Catharijneconvent, Utrecht; Nieuwe Kerk, Amsterdam, Amsterdam.
1984-1985 Reliquaries and Ritual: Medieval Objects of Devotion. The Walters Art Gallery, Baltimore.
1978-1979 Die Parler und der Schöne Stil, 1350-1400. Schnütgen-Museum, Cologne.
1978 Kaiser Karl IV, 1316-1378. Bayerisches Nationalmuseum, Munich.
1962 The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
3/22/1955 Treatment cleaned
4/12/1961 Treatment cleaned; coated; reconstructed
3/22/1962 Treatment repaired; coated
3/28/1962 Treatment cleaned; coated; repaired
4/11/1978 Loan Consideration other
8/16/1999 Loan Consideration examined for loan
4/12/2000 Examination examined for technical study
5/1/2006 Examination examined for condition
5/31/2006 Treatment examined for technical study; other
6/1/2006 Examination examined for condition
1/1/2007 Examination examined for technical study
10/23/2009 Loan Consideration examined for loan
5/24/2016 Treatment Cleaned, repaired
5/24/2016 Treatment Deteriorated acrylic coating was removed with appropriate solvents; dark silver tarnish was reduced as possible; new coating applied to forestall future tarnishing; mechanical connection between figure of Christ and base repaired.
8/3/2017 Treatment Treated for exhibition
8/3/2017 Treatment The protective coating was damaged during a recent traveling exhibition. The recently applied coating was retouched.
11/29/2017 Treatment Cleaned for exhibition.
11/29/2017 Treatment A recent lacquer coating broke down during shipment and handling for exhibition. The damaged coating was locally removed and replaced.
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Geographies

Czech Republic, Prague (Place of Origin)

Measurements

H: 11 5/8 x W at wings: 8 3/8 x D: 5 in. (29.53 x 21.27 x 12.7 cm)

Credit Line

Acquired by Henry Walters, 1903

Location in Museum

Centre Street: Third Floor: International Gothic

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

57.700

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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