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Diptych of the Crucifixion
(Medieval Europe )
For more information on this diptych panel, please see Federico Zeri, Italian Paintings in the Walters Art Gallery (Baltimore: Walters Art Gallery, 1976), vol. 1, cat. no. 21, 36-37.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Charles Fairfax Murray (1849-1919), London and Florence [date and mode of acquisition unknown]; Carlo Angeli, Florence [date and mode of acquisition unknown]; Wildenstein and Co., Paris and New York [date and mode of acquisition unknown]; Arnold Seligman, Rey and Co., New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, December 1920 [mode of acqusition unknown]; Walters Art Museum, 1931, by bequest.
Conservation
| Date | Description | Narrative |
|---|---|---|
| 5/7/1970 | Treatment | loss compensation; coated |
| 1/24/1979 | Examination | examined for condition |
Geographies
Italy, Siena (Place of Origin)
Measurements
Panel H including frame: 10 13/16 x W: 7 1/4 x D: 1/4 in. (27.4 x 18.4 x 0.7 cm); Painted surface H: 9 1/16 x W: 5 1/2 in. (23 x 14 cm)
Credit Line
Acquired by Henry Walters, 1920
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1024