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Image for Mold for a Bowl with Triton, Nereids, and Dolphins
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Image for Mold for a Bowl with Triton, Nereids, and Dolphins
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Image for Mold for a Bowl with Triton, Nereids, and Dolphins
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Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail
Mold for a Bowl with Triton, Nereids, and Dolphins Thumbnail

Mold for a Bowl with Triton, Nereids, and Dolphins

Marcus Perrenius Tigranus (Roman) (Artist)
late 1st century BCE-early 1st century CE (Early Roman Imperial)
terracotta, wheel made and stamped
(Roman Empire )

Impressed with nine different motifs, using both stamps and roller-dies, this mold would have been used to create a bowl decorated with figures of dolphins and mythological sea creatures in relief. In the foot of the mold is an ornamental ring of dolphins crowned by radiating leaves that climb up the walls of the vessel. The main motif shows dolphins interspersed with Tritons and nereids, or sea nymphs, riding hippocamps, which have the upper body of a horse and the lower body of a fish. Triton is identified by his curved fin. Also impressed in retrograde on the walls of the bowl is the potter’s stamp, which would appear as “MPEREN” in the final product. The rim of the bowl is decorated by a roller-die that creates a repeating vegetal pattern. While the features of many of the figures are well-defined, the mold has been repaired from fragments, and the damage has obscured some of the design.

Molds were widely used in the Roman Empire to produce vessels. The molds themselves were made on a wheel, formed with a hollow interior in the shape and size of the intended vessel. While it was still soft, the potter would then impress the mold using roller-dies and stamps that had a slightly curved face to follow the curvature of the mold to create figural and ornamental patterns. After firing the mold, the potter would press clay into the hollows of the mold and smooth it on the wheel to create his vessel. The finished product could easily be removed from the mold after drying, allowing the potter to manufacture multiple identical vessels.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Jacob Hirsch, Paris and New York; estate sale of Jacob Hirsch, Lucerne, December 7 1957, no. 34; purchased by Walters Art Museum, 1957.

Exhibitions

1997-1998 Artisans of Ancient Rome. The Newark Museum, Newark.

Conservation

Date Description Narrative
1/14/1974 Treatment cleaned
10/30/2013 Treatment Cleaned, repaired
10/30/2013 Treatment Cleaned to remove modern dirt and grime; prior restorations reduced to reveal original surfaces.
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Geographies

Arretium (Place of Origin)

Measurements

H: 4 1/8 × Diam: 8 3/4 in. (10.5 × 22.2 cm)

Credit Line

Museum Purchase, 1957

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.2103

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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