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Book of Hours with Paris Calendar
1420
Vellum;265ff.
Use of Rome
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Walters Collection
Exhibitions
| 2014 | Seeing Music in Medieval Manuscripts. The Walters Art Museum, Baltimore. |
| 1997-1998 | Covered in Meaning: Book Bindings from The Walters. The Walters Art Gallery, Baltimore. |
| 1996 | Daily Life in Medieval Books. The Walters Art Gallery, Baltimore. |
| 1995 | To Hell and Back: Medieval Images of the Afterworld. The Walters Art Gallery, Baltimore. |
| 1988-1989 | Making Music in Medieval Manuscripts. The Walters Art Gallery, Baltimore. |
| 1989 | Decadent Decades: The Medieval Clothes Horse. The Walters Art Gallery, Baltimore. |
| 1988 | Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
| 1977-1978 | Splendor in Books. Grolier Club, New York; The Walters Art Gallery, Baltimore. |
| 1971-1972 | World of Wonder. The Walters Art Gallery, Baltimore. |
| 1962 | The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. |
Geographies
France, Champagne (Place of Origin)
Measurements
Overall: 5 1/2 x 3 15/16 in. (14 x 10 cm)
Credit Line
Acquired by Henry Walters before 1931
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.219