Moses
ca. 1838-1863
crayon, brush and ink with scraping on cream, moderately thick, slightly textured, wove paper prepared with a white pigmented ground
(18th and 19th Centuries )
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Purchased by William T. Walters (through George A. Lucas as agent), Baltimore, June 1, 1863 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
[1] The Diary of George A. Lucas, p. 156.
Exhibitions
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1979 | A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
12/6/1978 | Examination | examined for exhibition |
1/1/2002 | Treatment | examined for exhibition; re-housed; mounted; other |
Geographies
France (Place of Origin)
Measurements
H: 14 x W: 10 1/2 in. (35.6 x 26.7 cm)
Credit Line
Acquired by William T. Walters, 1863
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.909