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Image for Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service
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Image for Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service
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Image for Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service
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Image for Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service
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Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail
Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service Thumbnail

Cream Pitcher (pot à crème forme Peyre) from the William T. Walters Service

Sèvres Porcelain Manufactory (French, active 1756 - present) (Manufacturer)
Pillivuyt and Co. (Artist)
1864
porcelain
(18th and 19th Centuries )

Monogrammed dinning services were essential items in wealthy 19th-century households. The diaries of George A. Lucas, a Paris-based art agent, record that he and William T. Walters were coordinating the ordering of a set of monogrammed Sèvres porcelain in late 1864. More items were ordered in the following years, from Sèvres or directly from Pillivuyt, often by the dozen. The same monogram (the intertwined initials "W.T.W") appears on the bindings of William's albums of drawings, and his napkins, glassware, and stationary.

Inscription

[Manufacturer’s Mark] stamped in green within an oval: S64; [Manufacturer’s Mark] stamped in red around a crowned “N”: DORÉ À SÈVRES 64; [Monogram] in gold on side of pitcher: WTW

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Commissioned by William T. Walters, Baltimore, 1864; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.

Exhibitions

2014-2016 From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore.
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Geographies

France, Sèvres (Place of Origin)

Measurements

H: 4 1/2 × W with handle: 3 7/16 × D: 4 7/16 in. (11.4 × 8.7 × 11.3 cm)

Credit Line

Commissioned by William T. Walters, 1864

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.1875

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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