Creative Commons License
Book Cover with Christ in a Mandorla
(Medieval Europe )
This ivory is closely related to Early Christian works such as the Saint Lupicin gospel covers in the Bibliotheque Nationale (Paris) and the Saint Paul ivory from the Musee de Cluny (Paris) both dated to the the 6th/7th century. Some inconsinstencies such as the rendering of the eyes, the masking of the angels' hands, and the lack of a throne for the seated Christ suggest the misunderstanding of a model. This together with the coarse carving style cast doubts on the authenticity of this object that could be a modern copy.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
J. Campe Collection, Hamburg [date and mode of acquisition unknown]; Alphonse Kann, Paris [date and mode of acquisition unknown]; Alphonse Kann Sale, New York, January 6-8, 1927, lot 447; Henry Daguerre, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1930, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 1947 | Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore. |
Geographies
Germany (Place of Origin)
Measurements
H: 6 11/16 x W: 3 3/4 in. (17 x 9.6 cm)
Credit Line
Acquired by Henry Walters, 1930
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
71.303