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Image for Duke Albrecht's Table of Christian Faith (Winter Part)
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Duke Albrecht's Table of Christian Faith (Winter Part) Thumbnail
Duke Albrecht's Table of Christian Faith (Winter Part) Thumbnail
Duke Albrecht's Table of Christian Faith (Winter Part) Thumbnail
Duke Albrecht's Table of Christian Faith (Winter Part) Thumbnail
Duke Albrecht's Table of Christian Faith (Winter Part) Thumbnail
Duke Albrecht's Table of Christian Faith (Winter Part) Thumbnail

Duke Albrecht's Table of Christian Faith (Winter Part)

Dirc van Delft (Dutch, active 1365-1404) (Author)
Netherlandish (Artist)
1400-1404 (Medieval)
ink and pigments on parchment bound between pasteboard covered with modern red velvet
(Manuscripts and Rare Books, Medieval Europe )

Walters manuscript W.171 is a document of the first importance in the history of Dutch manuscript illumination, and it contains an important medieval Dutch devotional text. The Tafel van den Kersten Ghelove is a compendium of Christian knowledge written by a learned Dominican, Dirc van Delf. The text is in two parts, one for winter, and one for summer. This manuscript is of the winter part, and it is incomplete, omitting the prologue and chapters 13,14, and 35-72. The arms of the Bavarian Counts of Holland and the kneeling owner on fol. 1 indicate that this manuscript was the actual copy prepared for the dedicatee of the text, Albrecht of Bavaria, Count of Holland, from the original text of his chaplain, and is therefore to be dated to 1404 at the latest, when Albrecht died. The manuscript consists of 165 folios and contains 35 historiated initials.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Albert, Duke of Bavaria and Count of Holland (1389-1404), Utrecht, ca. 1404-1405, by commission; Gruel and Engelman, Paris [date and mode of acquisition unknown] [no. 93]; Henry Walters, Baltimore, 1931, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2012-2013 Revealing the African Presence in Renaissance Europe. The Walters Art Museum, Baltimore; Princeton University Art Museum, Princeton.
2009-2010 Mirror of a Medieval World. The Hours of Catherine of Cleves. Museum Het Valkhof Nijmegen, Nijmegen.
2006 The Art of Law: Legal Documents from the Collection of The Walters. The Walters Art Museum, Baltimore.
1998 The Origins of Dutch Painting: Manuscripts from the Fifteenth Century. The Walters Art Gallery, Baltimore.
1995 The Book within the Book: Images of Books and Readers in Manuscripts. The Walters Art Gallery, Baltimore.
1991 Plants and Flowers in Medieval Manuscripts. The Walters Art Gallery, Baltimore.
1989-1990 The Golden Age of Dutch Manuscript Painting. Rijkmuseum Het Catharijneconvent, Utrecht; The Morgan Library & Museum, New York.
1989 Decadent Decades: The Medieval Clothes Horse. The Walters Art Gallery, Baltimore.
1988 Heavenly Bodies. The Walters Art Gallery, Baltimore.
1984-1985 Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore.
1974 Medieval Art, 1060-1550. University Art Gallery, South Bend.
1962 The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
1/24/1974 Treatment stabilized
11/19/1982 Examination examined for loan
2/9/1983 Examination examined for condition
12/29/1988 Treatment examined for exhibition; stabilized; other
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Geographies

Netherlands, Utrecht (Place of Origin)

Measurements

Closed H: 7 5/8 x W: 5 11/16 x D: 2 1/16 in. (19.4 x 14.5 x 5.2 cm); Storage Box H: 8 1/4 x W: 6 5/16 x D: 2 1/2 in. (21 x 16 x 6.4 cm); Open H: 7 5/8 x W: 10 x D: 4 3/4 in. (19.37 x 25.4 x 12.07 cm)

Credit Line

Acquired by Henry Walters, 1931

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.171

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  • Monday—Tuesday: Closed

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600 N. Charles St.
Baltimore, MD
21201

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410-547-9000

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