The Death of St. Jerome
ca. 1500 (Renaissance)
oil on panel
(Renaissance Europe )
(Renaissance Europe )
For more information on this painting, please see Zeri catalogue number 65, pp. 102-103.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Conservation
Date | Description | Narrative |
---|---|---|
Examination | examined for condition | |
11/9/1939 | Treatment | cleaned; coated; examined for condition; inpainted; reconstructed; re-framed; stabilized; varnish removed or reduced |
Geographies
Italy, Florence (Place of Origin)
Measurements
Painted surface H: 7 3/16 x W: 18 9/16 x D: 9/16 in. (18.3 x 47.1 x 1.5 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.428C
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Group of Three Panels: Last Communion of St. Jerome, The Man of Sorrows, The Death of St. Jerome
ca. 1500 (Renaissance)