Pendant with the Crucifixation
ca. 1550-1600 (Renaissance)
amelierung reverse-painted glass, enameled gold mount
(Renaissance Europe )
(Renaissance Europe )
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Prinz Heinrich von Bourbon, Graf von Bardi (Comte di Bardi), by purchase; Sale, E. Hirschler, Vienna, April 2, 1906, no. ???; Raoul Heilbronner, Paris, by purchase; Henry Walters, Baltimore, 1909, by purchase, Walters Art Museum, 1931, by bequest.
Exhibitions
1988-1989 | The Sforza Court: Milan in the Renaissance 1450-1535. Archer M. Huntington Art Gallery, University of Texas at Austin, Austin. |
1979-1980 | Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
9/28/1987 | Loan Consideration | examined for loan |
1/27/1988 | Treatment | cleaned; examined for condition |
5/9/1991 | Examination | examined for condition |
Geographies
Italy, Milan (Place of Origin)
Measurements
2 3/8 x 1 15/16 in. (6 x 5 cm)
Credit Line
Acquired by Henry Walters, 1909
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
46.24