Results 1 710
609 Previous Next

The Crucifixion
Explore Object
Creative Commons License

The Crucifixion

Description Provenance Inscription Credit
Description Though seemingly self-contained, this panel is actually a fragment of a larger painting that was cut in half across the middle. The tops of two haloes are all that remain of Mary and St. John the Evangelist, who originally flanked the cross in the lower half of the panel, now missing. While the Armenian bole (a red earth pigment) foundation beneath the gold leaf shows through in many places, the figure of Christ is in excellent condition. Orcagna's attention to the anatomical details of Christ's torso reveals his training as a sculptor.
Provenance Federico Pedulli, Florence, 1905 [mode of acquisition unknown]; Judge and Mrs. Jacob M. Moses, Baltimore, 1905, by purchase; Walters Art Museum, 1964, by gift.
Inscriptions [Transcription] Inscribed at the top of the cross, with a cross: PO.
Credit Gift of Judge and Mrs. Jacob M. Moses, 1964

Download Image Add to Collection Creative Commons License

1350-1359 (Medieval)
tempera and gold leaf on panel
(Painting & Drawing)
Accession Number
H: 8 x W: 5 11/16 x D: 1/2 in. (20.3 x 14.5 x 1.3 cm); Painted surface H: 6 7/8 x W: 4 15/16 in. (17.5 x 12.5 cm)
Location Within Museum
Not On View

Thumbnail: The Crucifixion
Zoom Out Zoom In Back to Details  
Full Size: The Crucifixion