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Image for Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe)
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Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail
Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe) Thumbnail

Two-Handled Covered Cup and Saucer (Gobelet ‘à lait’ et soucoupe)

Sèvres Porcelain Manufactory (French, active 1756 - present) (Manufacturer)
1757
soft paste porcelain
(18th and 19th Centuries )

This covered, bucket-shaped cup and saucer would primarily be used to serve hot and cold milk drinks that were prescribed to remedy fever, melancholy, and the effects of drinking too much alcohol. Warmed bread could be served in the deep saucer or, if the beverage was too warm, the milk cocktail could be poured into the saucer to cool. With a ground color of rose (roze), a glaze color developed by Sévres in 1757, this cup presents 4 kidney-shaped reserves, or blank areas reserved for imagery, filled with fantastical birds of paradise in picturesque landscapes. After firing, soft-paste porcelain pieces would be glazed in lead and then painters would ornament the surface. Painters could precisely render each detail, as soft-paste porcelain with an initial lead glaze absorbs all colors of glaze and produces a vibrant color field. Gilded frames, highlighted by carmine enamel, surround each reserve and border the edges of both cup and saucer, giving them a jewel-like appearance that would glimmer in the candlelit interiors of the eighteenth century.

Inscription

[Factory Mark] Blue Intertwined Lls on saucer; [Date] Blue Letter: E (1757) on saucer; [Sticker] Round stamp on brown paper “Douanes Expositions Paris” affixed to bottom of saucer; [Factory Mark] Blue Intertwined Lls on Cup; [Date] Blue Letter: E (1757) on cup; [Sticker] Round stamp on brown paper “Douanes Expositions Paris” affixed to bottom of cup; [Factory Mark] Blue Intertwined Lls on lid; [Date] Blue Letter: E (1757) on lid.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

E. M. Hodgkins Collection, Paris, no. 13; acquired by A. Seligmann, Rey and Co., New York; purchased by Henry Walters, Baltimore, 1928; by bequest to Walters Art Museum, 1931.

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Geographies

France, Sèvres (Place of Origin)

Measurements

H: 5 1/16 x W: 7 1/16 in. (12.8 x 17.9 cm)

Credit Line

Acquired by Henry Walters, 1928

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.589

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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