Creative Commons License
At Sea
(18th and 19th Centuries )
Jules Dupré's restless seascapes reveal the artist's interest in nature at its most dramatic, often depicting sunsets or scenes in which storm clouds gather and waves are whipped into action by the wind. This artist, one of the chief members of the Barbizon school, employs a low horizon line and exhibits his characteristic varied atmospheric effects. This style would later garner him much admiration in Impressionist circles.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, prior to 1884 [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
| 2011 | Setting Sail: Drawings of the Sea from WAM. The Walters Art Museum, Baltimore. |
| 2008-2009 | The Road to Impressionism: Barbizon Landscapes from the Walters Art Museum. The Dixon Gallery and Gardens, Memphis; The Frick Art & Historical Center, Pittsburgh. |
| 2004-2005 | The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. |
| 1987-1992 | Artful Deception: The Craft of the Forger. The Walters Art Gallery, Baltimore; Edsel & Eleanor Ford House, Grosse Pointe Shores; Dallas Museum of Art, Dallas; Oklahoma City Museum of Art, Oklahoma City; Portland Museum of Art, Portland; The Fine Arts Center at Cheekwood, Nashville; Phoenix Art Museum, Phoenix; Columbia Museum of Art, Columbia; Crocker Art Museum, Sacramento; Elvehjem Museum of Art, Madison; Memorial Art Gallery of the University of Rochester, Rochester; The Barnum Museum, Bridgeport. |
| 1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/23/1957 | Treatment | cleaned; coated |
Geographies
France (Place of Origin)
Measurements
H: 32 3/16 x W: 25 7/8 in. (81.8 x 65.7 cm); Framed H: 48 1/8 x W: 42 1/8 x D: 8 in. (122.24 x 107 x 20.32 cm)
Credit Line
Acquired by William T. Walters, before 1884
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.135