Creative Commons License
Mourning Women Kneeling at Grave
ca. 1859
graphite on slightly textured, moderately thick, beige wove paper
(18th and 19th Centuries )
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
| 1966 | The Legacy of David and Ingres to Nineteenth-Century Art. Mount Holyoke College Art Museum, South Hadley. |
| 1962 | A Generation of Draughtsmen. The University of Michigan Museum of Art, Ann Arbor. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 2/18/1983 | Examination | examined for exhibition |
| 1/1/2002 | Treatment | examined for exhibition; cleaned; repaired; mounted |
Geographies
France (Place of Origin)
Measurements
Sheet: H: 9 1/2 x W: 7 5/8 in. (24.2 x 19.4 cm)
Credit Line
Acquired by William T. or Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1408