Female Satyr with Putti
(18th and 19th Centuries )
Clodion, whose career spanned the last decades of the ancien régime through the French Revolution and Napoleon's reign, embraced his era's taste for antiquity. He trained in Paris and also worked in Rome. He was awarded many prizes and frequently exhibited at the Salon. Although Clodion received a number of important commissions for monumental marble sculptures, his fame and popularity rested on his skill at modeling small-scale terracotta groups for private collectors, such as this one. Bacchic subjects were Clodion's specialty.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Sir Richard Wallace [date and mode of acquisition unknown]; Sir John Murray Scott [date and mode of acquisition unknown]; Seligmann [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1914 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
1959 | Age of Elegance: The Rococo and its Effects. Baltimore Museum of Art, Baltimore. |
Geographies
France (Place of Origin)
Measurements
H: 13 3/4 in. (34.9 cm)
Credit Line
Acquired by Henry Walters, 1914
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
27.355