Fibula
The openwork fibula is set with a carnelian and decorated with a geometric pattern of gold wire. The gold beading along the edge is characteristic of Hunnish craftsmanship.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henry Walters, Baltimore, 1929, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
1984-1987 | Objects of Adornment: Five Thousand Years of Jewelry from the Walters Art Gallery, Baltimore. Cooper-Hewitt National Design Museum, New York; Chrysler Museum of Art, Norfolk; Carnegie Museum of Art, Pittsburgh; San Antonio Museum of Art, San Antonio; Philbrook Museum of Art, Tulsa; Honolulu Academy of Arts, Honolulu; New Orleans Museum of Art, New Orleans; Milwaukee Art Museum, Milwaukee; Minneapolis Institute of Art, Minneapolis; Toledo Museum of Art, Toledo; The John and Mable Ringling Museum of Art, Sarasota. |
1987 | Jewelry from the Walters Art Gallery and the Zucker Family Collection. The Walters Art Gallery, Baltimore. |
1979-1980 | Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. |
1947 | Early Christian and Byzantine Art. Baltimore Museum of Art, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
4/19/1984 | Treatment | cleaned |
Geographies
Russia (Place of Origin)
Measurements
1/4 x 1 1/2 in. (0.6 x 3.8 cm) (d. x diam.)
Credit Line
Acquired by Henry Walters, 1929
Location in Museum
Centre Street: Third Floor: Migration and Early Medieval Art
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
57.558