The Visitation
(Medieval Europe )
Angelos Bitzamanos, the artist who signed this icon, is known to have been apprenticed in Candia (now Heraklion) on Crete in 1482. The island was ruled by Venice at that time, and Bitzamanos is subsequently attested as a painter in Dalmatia, another Venetian province. He is last heard of in Southern Italy, where the present icon was painted. Its composition (illustrating Luke 1:39-55) is untypical of traditional Byzantine art and was most probably borrowed from a woodcut illustration included in several Books of Hours that the German Thielman Kerver (fl. 1497-1524) printed in Paris between 1505 and 1511. The Walters owns yet another work by Bitzamanos, a triptych (Walters 37.626).
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Geographies
Italy, Otranto (Place of Origin)
Measurements
9 1/16 x 7 1/16 in. (23 x 17.9 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.748