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Madonna and Child
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Madonna and Child

Description Conservation Exhibitions Provenance Credit
Description The head of a large workshop, Bernardo Daddi was one of the most prolific painters of 14th-century Florence. This work is the central panel of a polyptych, or multi-panel altarpiece, and would have been flanked by images of saints. The painter gave the Madonna and Child a physical, three-dimensional presence by making their fingers disappear behind the fabric of their clothing. Christ's right arm also extends behind the Virgin's left shoulder. The linear decoration cut into the haloes and the minimal use of punch-work in the gold ground is typical of Florentine painting of this period. For more information on this piece, please see Zeri catalogue number 4, pp. 8-9.
Date Description Narrative
1/01/1900Examinationexamined for condition
5/06/1942Treatmentother; re-framed; varnish removed or reduced
1/01/1988Treatmentcleaned; coated; inpainted; varnish removed or reduced
1/11/1988Examinationexamined for condition
1/28/1988Treatmentvarnish removed or reduced
6/27/1988Examinationexamined for condition; other
  • An Exhibition of the Treasures of The Walters Art Gallery. The Walters Art Museum, Baltimore; Smith College Museum of Art, Northampton; Pace Wildenstein Gallery, New York. 1967.
Provenance Bernard Berenson [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.
Credit Acquired by Henry Walters, 1911

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1345-1349 (Medieval)
tempera and gold leaf on panel
(Painting & Drawing)
Accession Number
Surviving painted and gilded surface H: 27 1/16 x W: 18 7/16 in. (68.8 x 46.8 cm); Surviving original panel H: 27 5/16 x W: 18 7/16 x D: 13/16 in. (69.3 x 46.8 x 2 cm); Framed H: 34 13/16 × W: 22 1/16 × D: 1 3/8 in. (88.5 × 56 × 3.5 cm)


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