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Image for The Crucifixion; Saint Michael
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Image for The Crucifixion; Saint Michael
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The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail
The Crucifixion; Saint Michael Thumbnail

The Crucifixion; Saint Michael

Lorenzo d'Alessandro da San Severino (Italian, 1440/1450-1503) (Painter)
ca. 1480-1490 (Renaissance)
tempera, oil, and gold leaf on wood panel
(Renaissance Europe )

This double-sided painting originally functioned as a standard to be carried during processions and other religious ceremonies. It was probably made for the religious brotherhood (confraternity) devoted to Saint Michael in Matelica, a town in the Marches, a region in Central Italy. On one side is the Crucifixion with the mourning Virgin, the apostle John, and three angels catching Christ's blood in chalices. On the reverse, the archangel Michael tramples the devil and holds the scales in which he weighs a blessed soul. Kneeling at his feet are members of the brotherhood that commissioned the standard, clad in white habits with cowls, clothes typical of brotherhoods belonging to the Order of Flagellants (people who whip themselves to show penitence). Given their everyday use and occasional exposure to the elements, few processional standards from the Renaissance are still in existence today. This example is one of several by Lorenzo d’Alessandro da Sanseverino, who was active in and around Matelica during the last quarter of the 15th century. Another standard by the artist is now at the Brooklyn Museum in New York.

Inscription

[Transcription] On obverse with the Crucifixion, in Virgin's halo: MEMENTO [MEI MATER DEI]; [Translation] In Virgin's halo: Remember me, O Mother of God; [Transcription] In Christ's halo: [A]VE LUX M[UNDI]; [Translation] In Christ's halo: Hail, Light of the World; [Transcription] In St. John's halo: IOHANNES

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Bernard Berenson [date and mode of acquisition unknown]; Henry Walters, Baltimore, ca. 1915 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Conservation

Date Description Narrative
9/17/1940 Treatment inpainted; repaired; varnish removed or reduced
6/10/2003 Examination examined for condition
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Geographies

Italy, Marche (Place of Origin)

Measurements

H: 29 7/8 x W: 21 3/8 x Approx. D: 7/8 in. (75.9 x 54.3 x 2.3 cm); St. Michael painted surface H: 22 1/16 x W: 13 3/4 in. (56 x 34.9 cm); Crucifixion painted surface H: 21 15/16 x W: 13 3/4 in. (55.8 x 34.9 cm)

Credit Line

Acquired by Henry Walters, ca. 1915

Location in Museum

Charles Street: Third Floor: 15th-Century Italian Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.496

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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