Ferry Horses
(18th and 19th Centuries )
Veyrassat painted with watercolor in a way that has become popular today. He applied transparent washes of color to the page in a looser style than many of his contemporaries. He may have seen early 19th-century watercolors by British artists who experimented with this technique. This scene of ferry horses recalls the compositions of the English romantic painter John Constable. British art was very influential, especially on French landscape painting, in the decades after the defeat of Napoleon in 1815.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Acquired by William T. Walters, Baltimore, probably 1864; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
Exhibitions
2017 | Training the Eye: 19th-Century Drawing. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; cleaned; other |
12/20/2016 | Treatment | examined for exhibition; other |
Geographies
France (Place of Origin)
Measurements
H: 6 7/16 x W: 11 3/4 in. (16.3 x 29.9 cm)
Credit Line
Acquired by William T. Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1603