The Virgin in Adoration
(Medieval Europe )
For more information on this fragment, please see Federico Zeri, Italian Paintings in the Walters Art Gallery (Baltimore: Walters Art Gallery, 1976), vol. 1, cat. no. 37, 62-63.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. / Henry Walters Collection, Baltimore, prior to 1922 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
2021-2022 | Medieval Bologna: Art for a University City. Frist Art Museum, Nashville. |
Conservation
Date | Description | Narrative |
---|---|---|
1/24/1939 | Treatment | coated; examined for condition; examined for exhibition; filled; inpainted; loss compensation; surface cleaned |
11/4/1987 | Examination | examined for condition |
Geographies
Italy, Rimini (Place of Origin)
Measurements
Painted surface sight H: 20 5/8 x W: 18 5/16 in. (52.4 x 46.5 cm); Fabric auxiliary support H: 21 x W: 18 7/8 in. (53.3 x 47.9 cm); D of plaster: 1/4 in. (0.6 cm); H of raised halo projection from the surface: 3/4 in. (1.9 cm)
Credit Line
Acquired by William T. or Henry Walters, before 1922
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.529