Creative Commons License
Watch Case with Lot and His Daughters
(Baroque Europe )
This case was painted in enamel in France using a technique developed in Blois in the 1630s. Because the watch was intended for the Dutch market, the scene chosen is based on a painting by the renowned Dutch painter Cornelis van Poelenburch of the biblical subject of Lot and his daughters. The rear view of one daughter who has removed her clothes might stir the imagination, especially when the cool watch was held in a warm (male) hand.
The finished case was sent to a watchmaker in The Hague, P. van Keulen, who made and signed the watch movement, or mechanism, and fit it into the case.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Robert Hoe Collection Sale, American Art Association, New York, February 15, 1911, no. 2302; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.
Geographies
France, Blois
(Place of Origin)
Netherlands, The Hague (Place of Origin)
Measurements
1 5/8 in. (4.2 cm)
Credit Line
Acquired by William T. or Henry Walters
Location in Museum
Charles Street: Second Floor: 17th-Century Dutch Cabinet Rooms
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
58.136